The band’s more melodic side does get ample chance to show itself though. There’s a lot more bite to the songs this time round though – with songs like title-track Seal The Deal packing some serious riffs to match their choruses. In fact, there’s a lot of moments that hark back to the band’s previous albums on Seal The Deal & Let’s Boogie – second single For Evigt (replaced by The Bliss on US copies) evokes memories of the band’s 2013 mega-hit Lola Montez in a major way, whilst Let It Burn has a touch of Pearl Hart about it. It’s a formula that all VOLBEAT fans should be used to by now, given the more radio-friendly orientation of their last two albums, but one that clearly works well for the band. Fusing the traditional metal riffing of acts like METALLICA to a country sensibility akin to the likes of JOHNNY CASH, the band have been gradually carving out their own niche within the rock scene since their inception and have now reached their sixth album, entitled Seal The Deal & Let’s Boogie.įrom the first few notes of opener The Devil’s Bleeding Crown, it’s obvious that this is VOLBEAT at their most accessible – Michael Poulsen’s unique-sounding voice booming over a crunchy guitar riff. Formed fifteen years ago in Copenhagen, the Danish-American quartet have made a name for themselves through producing a style of music quite unlike any other. ![]() VOLBEAT have always been a curious beast of a band.
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